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dc.contributor.advisor Wald, Priscilla en_US
dc.contributor.author Peay, Aisha Dolores en_US
dc.date.accessioned 2009-05-01T18:24:28Z
dc.date.available 2009-05-01T18:24:28Z
dc.date.issued 2009 en_US
dc.identifier.uri http://hdl.handle.net/10161/1103
dc.description Dissertation en_US
dc.description.abstract <p>Taking as its pretext the contemporary moment of self-reflexive critique on the part of interdisciplinary programs like Women's Studies and American Studies, <italic>Reading Democracy</italic> historicizes a black feminist literary critical practice and movement that developed alongside black feminist activism beginning in the 1970s. This dissertation addresses the future direction of scholarship based in Women's Studies and African-American Studies by focusing on the institutionalized political effects of Women's Liberation and the black liberation movements: the canonization of black women's writing and the development of a black feminist critical practice. Tracing a variety of conceptions of black feminist criticism over the course of two decades, I argue that this critical tradition is virtually indefinable apart from its anthological framing and that its literary objects illustrate the radical democratic constitution of black women's political subjectivity. </p><p>The editors of such anthologies of African American women's writing and black feminist practice as Toni Cade Bambara's <italic>The Black Woman</italic> (1970), Mary Helen Washington's <italic>Black-Eyed Susans</italic> (1975), and Barbara Smith's <italic>Home Girls: A Black Feminist Anthology</italic> (1984) articulate the relationship of political praxis to creative enterprise and intellectual activity. In the case of Smith's anthology, for example, "coalition politics" emerges as the ideal democratic practice by which individuals constitute political identities, consolidate around political principles, and negotiate political demands.</p><p>Situating anthologies of black women's writing in relation to the social movement politics of the 1960s and 1970s, Reading Democracy explores how black feminist projects in the academy and the arts materialized the democratic principles of modern politics in the United States, understanding these principles as ethical desires that inspire self-constitution and creative and scholarly production. Constructing a literary critical and publication history, this dissertation identifies the democratic principles that the anthologies in this study materialize by analyzing them alongside the novels and short stories published during the 1970s and 1980s that they excerpt or otherwise reference, such as Toni Morrison's <italic>The Bluest Eye</italic> (1970), Audre Lorde's <italic>Zami: A New Spelling of My Name</italic> (1982), and Paule Marshall's <italic>Praisesong for the Widow</italic> (1983). The anthology facilitates the analysis of the single creative work's black feminist consciousness. Using the critical terms of democratic theory to mark the fulfillment of a political theory of black women's writing, as Smith first proposed, this dissertation arrives at a sense of democracy as a strategic zone of embodiment and a modern political imaginary forged by the recognition of "the others" in our midst who are coming to voice and are ineluctably constituted by the same ethical desires as are we ourselves.</p> en_US
dc.format.extent 1032146 bytes
dc.format.mimetype application/pdf
dc.language.iso en_US
dc.subject American Studies en_US
dc.subject Literature, American en_US
dc.subject Women's Studies en_US
dc.subject African American Studies en_US
dc.subject Black Women Writers en_US
dc.subject Feminist Theory en_US
dc.subject Literature en_US
dc.subject Political Theory en_US
dc.title Reading Democracy: Anthologies of African American Women's Writing and the Legacy of Black Feminist Criticism, 1970-1990 en_US
dc.type Dissertation en_US
dc.department English en_US
duke.embargo.months 12 en_US
dc.date.accessible 2010-05-18T05:00:18Z

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