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dc.contributor.advisor Prasad, Leela en_US
dc.contributor.author Salinas, Anandi en_US
dc.date.accessioned 2011-05-20T19:13:12Z
dc.date.available 2011-05-20T19:13:12Z
dc.date.issued 2011 en_US
dc.identifier.uri http://hdl.handle.net/10161/3781
dc.description Thesis en_US
dc.description.abstract <p>In this project, I reassess fundamental assumptions about tradition, classicality, and authenticity by exploring how artists of various Indian dance forms construct and engage these terms in the retelling of the history of their dance styles. To explore the nuances in the negotiation of terminology in the creation of oral histories, as well as to showcase the dancing itself, I have chosen to look at both dance and narrative in multiple formats of video and text. This paper serves both to survey the ethnographic process of making the film as well as to further explore the theoretical possibilities that were evoked in the many narrations in the film. I will eventually suggest that the formulations of classicality and authenticity in relation to text and temple point to the importance of concept of public memory in the creation of a dynamically constituted tradition rooted in foundational texts such as the Nāṭya Śāstra and living traditions connected to dance lineages and teachers.</p> en_US
dc.rights Any material from the video that is used in other film works must be cited in the actual clip with a statement on the screen: "From Building a Natya Shastra Courtesy of Anandi Leela Salinas".
dc.subject Religion en_US
dc.subject Dance en_US
dc.subject Performing Arts en_US
dc.subject andhra natyam en_US
dc.subject bharata natyam en_US
dc.subject classical Indian dance en_US
dc.subject Indian dance en_US
dc.subject odissi en_US
dc.subject Religion en_US
dc.title Building a Natya Shastra: Individual Voices in an Evolving Public Memory en_US
dc.type Thesis en_US
dc.department Religion en_US

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