Free to Be a Slave: Slavery as Metaphor in the Afro-Atlantic Religions

Loading...
Thumbnail Image

Date

2007-01-01

Authors

Matory, J Lorand

Journal Title

Journal ISSN

Volume Title

Repository Usage Stats

239
views
770
downloads

Citation Stats

Abstract

Scholars tend to regard enslavement as a form of disability inflicted upon the enslaved. This paper confronts the irony that not all black Atlantic peoples and religions conceive of slavery as an equally deficient condition or as the opposite of freedom and other rights that are due to respected human beings. Indeed, the religions of enslaved Afro-Latin Americans and their descendants—including Brazilian Candomblé, Cuban and Cuban-diaspora Ocha (or Santería) and Haitian Vodou—are far more ambivalent about slavery than most scholars and most Black North Americans might expect. In these religions, the slave is often understood to be the most effective spiritual actor, either as the most empowering servant of the supplicant's goals or as the most effective model for supplicants' own action upon the world. These ironies are employed to illuminate the unofficial realities of both the Abrahamic faiths and the North American practices of 'freedom'.

Department

Description

Provenance

Citation

Published Version (Please cite this version)

10.1163/157006607X218764

Publication Info

Matory, J Lorand (2007). Free to Be a Slave: Slavery as Metaphor in the Afro-Atlantic Religions. Journal of Religion in Africa, 37(3). pp. 398–425. 10.1163/157006607X218764 Retrieved from https://hdl.handle.net/10161/7067.

This is constructed from limited available data and may be imprecise. To cite this article, please review & use the official citation provided by the journal.


Unless otherwise indicated, scholarly articles published by Duke faculty members are made available here with a CC-BY-NC (Creative Commons Attribution Non-Commercial) license, as enabled by the Duke Open Access Policy. If you wish to use the materials in ways not already permitted under CC-BY-NC, please consult the copyright owner. Other materials are made available here through the author’s grant of a non-exclusive license to make their work openly accessible.