Browsing by Author "Flaherty, Jennifer"
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Item Open Access NEKRASOV'S TRAGIC SOCIAL LYRICISMFlaherty, JenniferItem Open Access The Cry of the Heart: Russian and Ottoman Literary Enlightenments(Comparative Critical Studies, 2025-02) Dolcerocca, Özen Nergis; Flaherty, JenniferThis article examines the works of Alexander Radishchev and Namık Kemal to explore how Russian and Ottoman Enlightenments conceptualized emotion as integral to political subjectivity. Moving beyond conventional interpretations of these traditions as reactionary or subordinate to Western Enlightenment ideals, the study argues that both thinkers redefined emotion as the foundation of autonomy and collective identity, challenging binaries between rationalism and sentimentality. Radishchev’s Journey from Petersburg to Moscow demonstrates how emotional introspection enables the critique of social and political systems, transforming individual awareness into communal ethical engagement. Similarly, Kemal’s writings merge Romantic individualism with Enlightenment rationality, advocating for emotional conscience as a basis for modernization and cultural reform in the Ottoman Empire. This comparative study situates Radishchev and Kemal within the broader nineteenth-century intellectual field, where tensions between reason and emotion, individuality and collectivism and internal versus external authority shaped debates about modernity. It ultimately reveals the transnational complexity of Enlightenment thought and its enduring relevance for understanding the intersections of emotional and rational paradigms in shaping modern political and cultural discourses.Item Open Access The Duality of Max Frei: Problems of Identity in Contemporary Popular Russian Fiction(2023) Garman-Davis, Gillian AnnMax Frei, whose given name is Svetlana Martynchik, is an important cultural phenomenon in the Russian sphere because she represents a growing push for change. Her approach is to question her reader’s identity by presenting challenges to the current reader-character relationship, as well as through her unique approach to the author-character relationship. In doing so, she questions the current definition of character and uses her creative works to demonstrate what she believes is most important: giving her characters life. For this work, I have studied ten of Frei/Martynchik’s interviews, available on her website, as well as Russian and English fandom websites such as fantlab.ru and Goodreads. Included in this work are four of her short stories, translated by me and available in Russian in the orange Russian Foreign Tales series, Books One, Four, and Six, to demonstrate her approach to the problems of identity in contemporary Russian fiction.
Item Open Access