Browsing by Author "Stein, RL"
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Item Open Access Explosive: Scenes from Israel's gay occupation(GLQ, 2010-11-24) Stein, RLThis essay examines two works by the Israeli director Eytan Fox-Florentin, a television serial, and The Bubble, a feature film-and the highly divergent ways they negotiate the interplay between queerness, the Israeli state, and the Israeli military occupation. Reading Fox's works symptomatically, the essay proposes that Florentin and The Bubble can be understood as indexes of the changing Israeli political landscape of the last decade-both the vacillating landscape of gay rights and visibility within the nation-state and the changing landscape of Israeli occupation and Palestinian struggle that the Oslo process of the 1990s made possible. In keeping with the tradition of symptomatic reading, the analysis pays close attention to storylines and populations that Fox has excluded from these works, arguing that Fox's representations of gay Israeli life are intimately enmeshed with the Israeli-Palestinian conflict, even at moments when, through cinematic silence, the conflict is implicitly disavowed. © 2010 by Duke University Press.Item Open Access Impossible Witness: Israeli Visuality, Palestinian Testimony and the Gaza War(Journal for Cultural Research, 2012-07-01) Stein, RLThis article studies Israeli news coverage (chiefly via newspapers and television) of the Gaza war of 2008-2009, with a focus on what the national media withheld from its consuming publics - namely, depiction of the extent of Israeli-inflicted violence upon Gazan people and infrastructure. At the core of this article is a study of an anomalous instance of Palestinian testimonial which was broadcast live on Israeli national television - this in an Israeli media context in which Palestinian eyewitness accounts were largely occluded from public view. How, the article asks, are we to make sense of this scene of televised Palestinian trauma and the enormous attention it garnered among Israeli publics? The author's reading detours through the work of Israeli cultural theorist Ariella Azoulay with her insistence that the study of images and visuality in the Israeli context be attentive to the inextricable interplay between ways of seeing and national ideologies. In conclusion, the author proffers a reading which folds this scene of televised testimonial back into the hegemonic Israeli field of perception. © 2012 Copyright Taylor and Francis Group, LLC.Item Open Access Israeli Routes Through Nakba Landscapes: An Ethnographic Meditation(Jerusalem Quarterly, 2010) Stein, RLItem Open Access National Itineraries, Itinerant Nations: Israeli Tourism and Palestinian Cultural Production(Social Text, 1998) Stein, RLItem Open Access Souvenirs of conquest: Israeli occupations as tourist events(International Journal of Middle East Studies, 2008-10-31) Stein, RLIt is perhaps self-evident to suggest that military conquest shares something with tourism because both involve encounters with "strange" landscapes and people. Thus it may not surprise that the former sometimes borrows rhetorical strategies from the latter - strategies for rendering the strange familiar or for translating threatening images into benign ones. There have been numerous studies of this history of borrowing. Scholars have considered how scenes of battle draw tourist crowds, how soldiers' ways of seeing can resemble those of leisure travelers, how televised wars have been visually structured as tourist events (e.g., the 2003 U.S. invasion of Iraq), and how the spoils of war can function as a body of souvenirs. These lines of inquiry expand our understanding of tourism as a field of cultural practices and help us to rethink the parameters of militarism and warfare by suggesting ways they are entangled with everyday leisure practices. © 2008 Cambridge University Press.Item Open Access StateTube: Anthropological Reflections on Social Media and the Israeli State(Anthropological Quarterly, 2012) Stein, RL