Browsing by Author "Winters, Joseph R"

Nearly half a century ago, acclaimed jazz musician Alice Coltrane (1937-2007), marital partner of saxophonist John Coltrane, began disseminating Hindu (Vedanta) teachings and jazz-inflected bhajans (songs of praise) in her predominately Black, though multiracial, spiritual community in Southern California. Despite all her accomplishments–becoming the first African American guru, authoring two revelatory sacred texts, composing fifteen devotional albums (many on major record labels), and founding and directing a Vedantic center and quasi-monastic community for over thirty years–the highly acclaimed Alice Coltrane is overlooked by scholars of religion, especially of Asian religions. Similarly, Cleveland-born, Princeton graduate Bhakti Tirtha Swami (1950-2005)–who initiated hundreds of disciples across North America, Africa and Eastern Europe into a Hindu religious tradition (Gaudiya Vaishnavism), authored nineteen books, and acted as a consultant to several world leaders–has also passed away hardly noticed. Since at least the 1960s, Black Americans have made lifelong religious commitments to Vedantic teachings and South Asian religious practices such as performing kirtans and bhajans. Despite this, their presence and contributions remain virtually invisible to scholars. My dissertation seeks to disclose Black Americans’ presence and influence in Hinduism since the 1960s as well as raise an urgent ethical and theoretical question for the study of religion: Can a Hindu be Black?

Through intellectual and aesthetic artifacts, literary publications, and twelve months of ethnographic fieldwork and interviews with Black Americans across several U.S. Hindu communities, my doctoral research illustrates Black Americans’ participation in Hinduism since the 1960s through the charismatic leaders Alice “Swamini Turiyasangitananda” Coltrane, John “Bhakti Tirtha Swami” Favors, Clarissa “Krsnanandini Devi Dasi” Jones, and a successive generation of Black practitioners. Thus, my study answers the above question affirmatively; yet, building on recent scholarship on the racialization of religion and genealogies of religion, my study also provokes an indispensable examination of race, ethnicity, and geography in academic constructions of ‘Hindu’ and ‘Hinduism,’ assessing how theory and discourse have, at times, foreclosed the possibility of a Black Hindu.

In this dissertation, I analyze the critical, creative, and personal work of Toni Morrison, Hortense Spillers, and Alice Walker in order to suggest that spirituality can be a useful component of Black feminist self-repair. Within the scope of Black women’s literary history, I argue that Morrison, Spillers, and Walker each functioned as three figures from Afrodiasporic spiritual traditions: the griot, the conjurer, and the medium, respectively. This project contends that there is significant overlap between spirituality and magic, the latter of which is defined as the use of ritual activities or observances which are intended to influence the course of events or to manipulate the natural world. In the context of this project, I interpret “magic” as a collection of stylistic choices, inherited traditions, and behaviors that enable Black Americans to repair the psychic, physical, and emotional damage that has been internalized in the wake of the transatlantic slave trade and Jim Crow segregation. This practice of self-repair through magic draws on ritual activities and observances that exist within both Afrodiasporic spiritual traditions as well as a body of Black feminist literary knowledge that has been passed down through generations of Black women writers. I contend that Black Americans’ ability to perform self-repair through spirituality is a practice of world-making that is rooted in Black feminist thought.

This dissertation argues that the emergence of the idea of Eastern Europe in the Enlightenment and post-Enlightenment West could be attributed not only to geopolitical causes but also to the way that the region was figured religiously. Considered against the backdrop of the rise of global racial order, the idea of Eastern Europe is shown to have its origins in Western theological imaginaries which were transmuted into gendered raciality. Through an analysis of the travelogues by Western travelers to the Russian Empire and its European peripheries, this project traces the rise of Euro-Orientalism, which gets inflected as “Asiatic” in Russia, and “Jewish” in the rest of Eastern Europe. Seen through this Euro-Orientalist lens, Russia is figured as the intra-European antithesis to the West, and the remainder of Eastern Europe, as liminal territories.