Browsing by Subject "Cultural"

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    Where Have All the Youth Gone: Cruel Youth and Juvenile Crimes in 21st Century “Cruelty of Youth” Films from Japan and the United States
    (2018-05-02) Cao, Yuqiao
    In recent years, the phrase “cruelty of youth” has gained popularity in describing an understudied subgenre of youth films. Films in this subgenre portray young people’s tragic experiences and the unfolding real problems they face. My project examines and compares four “cruelty of youth” films from the 21st century: All About Lily Chou-Chou (2001) and The Blue Light (2003) from Japan, and Elephant (2003) and Mean Creek (2004) from the United States. This project examines the need for “cruelty of youth” films, in particular their importance in raising public awareness of and understanding about youth problems in the real world. In other words, films within this genre are not dystopic, speculative fiction, but realist in their depictions of extreme situations facing young people. The term itself, “cruelty of youth,” represents the duality of meaning in both “youth that are cruel” and “the cruelty experienced by youth.” My project explores the characteristics of “youth that are cruel.” These characteristics serve as a key to help adult viewers understand the connection between teenagers’ psychological states and their cruel deeds. In the last section, I will include a close reading to discuss the depictions of murder scenes from these selected films that involve youth. To help the viewers understand youth experiences and the cruelty teenagers inflict on one another, I also investigate these murder cases from the perspectives of the juvenile murderers, the young victims, and the teenage witnesses. I suggest that “cruelty of youth” films may be beneficial for young viewers in that they teach the fragility of life and may encourage young people to engage in discussions about youth cruelty with peers and with their elders.
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    Zainichi: How Violence and Naming Determine A Consciousness
    (2015-05-05) Osborn, William
    The purpose of this research paper is to identify how the post-colonial Koreans (also known as zainichi) who remained in Japan after World War II form their identity. The challenge within this question lies in the fact that these zainichi are not citizens of Japan or Korea. Rather they are in a perpetual state of limbo, having both Japanese and Koreans forcing their ideals and beliefs on them. This lack of nationality creates overwhelming challenges and pressure for the zainichi to figure out who they are without others telling them who they should be. In order to analyze this central question of zainichi identity formation I have chosen to analyze two popular films about zainichi identity made over 30 years apart. The films in question are Nagisa Oshima’s 1968 film Death by Hanging and Isao Yukisada’s 2001 film GO. Within these films I will analyze two separate themes that are crucial to the identity formation of the zainichi, Violence and Naming. After reviewing the data my conclusion is that the zainichi do not form their own identity. Rather it is the Japanese and their outdated nationalistic beliefs that form the identity of the zainichi. Until the Japanese are able rid themselves of their old Imperial Japanese identity, the zainichi will be unable to form their own.