Browsing by Subject "Thomas Hardy"

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    An Education of Feelings: Thomas Hardy, Tess of the d'Urbervilles, and the Art of Fiction
    (2015-05-01) Zhu, Bing

    *Designated as an Exemplary Final Project for 2014-15*

    In my thesis I set out to discover and interpret Thomas Hardy’s views on the art of fiction. I focus specifically on three literary essays written by Hardy during the late 1880s and the early 1890s and corroborate my conceptual analysis of these essays by researching their historical context, which further illuminates my understanding of the essays’ significance. The historical context includes the widespread censorship of fiction from vigilant Victorian publishers and circulating libraries, and the fashionable discussion of French realist novels. Finally I use Tess of the d’Urbervilles to demonstrate how the novel embodies Hardy’s artistic vision. I hope such discussion of the novel will enhance the reader’s appreciation of it according to Hardy’s understanding of the benefits of fiction reading. I show that the fastidious Victorian preoccupation with morality and propriety blinded the critics to Hardy’s ability of rendering with force and sincerity human emotional delights and sufferings. Unlike the French realist authors, who were devoted to the objective explanation of human behavior, Hardy believed that the unique persuasive power of fiction resides in its appeal to the reader’s intuitive conviction. However, there is a fundamental difference between sentimental novels and Hardy’s conception of great fiction. The latter’s claim of superiority lies in the author’s sincere and personal engagement with the concrete and tangible details of real life.
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    Woman, Nature, and Observer in Tess of the D'Urbervilles and To the Lighthouse: An Ecofeminist Approach
    (2017-09-19) George, Elizabeth
    This thesis discusses narration as a tool that mediates the portrayal of women and nature by subjecting both to the perspective of an observer. Realist fiction provides us with material to study this phenomenon in depth because of its intention to reflect reality. Accordingly, Miss George argues that there are ecological stakes in narrative technique because the way we narrate fictional human relationships to nature reflects and influences actual human relationships with the environment. In the late nineteenth and early twentieth centuries, massive shifts were occurring in those relationships. This period also saw the end of one literary tradition (Victorian realism) and the start of another (modernist experimentalism). Miss George believes that the two are related, that transformations in narration techniques coincided with a consciousness of planetary change.