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Framing Latin American Art: Artists, Critics, Institutions and the Configuration of a Regional Identity

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Date
2015
Author
Maroja, Camila Santoro
Advisors
Gabara, Esther
Stiles, Kristine
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Abstract

This dissertation investigates how non-academic agents (i.e. artists, curators, and institutions) helped construct the current canon of Latin American art. It takes as case studies key exhibitions held in Brazil in order to examine how the central concepts of anthropophagy, geometric abstraction, and the political came to characterize the art of the region. Drawing on extensive archival research and interviews, this work traces a local genealogy, thus offering a different starting point for understanding the Latin American art canon that has been recently institutionalized in such places as the Museum of Modern Art (MoMA) in New York as part of the global turn in art history.

Citing their different language and colonial history, Brazilian artists and critics have tended to view their art production as distinct from that of the rest of the continent. This dissertation, by contrast, recognizes Brazil as a fundamental player in the shaping of both a Latin American cultural identity and an expanded notion of the Americas. This expansion of Latin American art influences how artists represent themselves and how such production is actively being inserted into collections around the world.

Type
Dissertation
Department
Art, Art History, and Visual Studies
Subject
Art history
Latin American studies
History
Art Criticism
Brazilian Art
Canonization
Contemporary Art
Critical Theory
Latin American Art
Permalink
https://hdl.handle.net/10161/10514
Citation
Maroja, Camila Santoro (2015). Framing Latin American Art: Artists, Critics, Institutions and the Configuration of a Regional Identity. Dissertation, Duke University. Retrieved from https://hdl.handle.net/10161/10514.
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This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License.

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