A Generative Entanglement: Word and Image in Roman Catholic Devotional Practice
Abstract
Devotional piety broadly depends on events that are not accessible for direct observation
and commonly offer little, if anything, in the way of historical documentation. Sometimes
the experiences to which devotion is directed in the veneration of saints is based
on visionary experience for which reports are contradictory. This essays explores
ways in which word and image are brought together to anchor evanescent or ephemeral,
or entirely uncertain, origins and provide devotion with stable objects. I develop
the view that word and image are generatively entangled, meaning that their ambiguous
connections with one another are able to produce a medium in which devotion finds
a footing.
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https://hdl.handle.net/10161/20266Published Version (Please cite this version)
10.13154/er.11.2020.8443Publication Info
Morgan, David (2020). A Generative Entanglement: Word and Image in Roman Catholic Devotional Practice. Entangled Religions, 11(3). pp. 1-21. 10.13154/er.11.2020.8443. Retrieved from https://hdl.handle.net/10161/20266.This is constructed from limited available data and may be imprecise. To cite this
article, please review & use the official citation provided by the journal.
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David Morgan
Professor of Religious Studies
David Morgan is Professor of Religious Studies with a secondary appointment in the
Department of Art, Art History, and Visual Studies at Duke. He chaired the Department
of Religious Studies from 2013 to 2019. Morgan received the Ph.D. at the University
of Chicago in 1990. He is currently Director of Graduate Studies in Duke's PhD program
in Religion. He has published several books and dozens of essays on the history of
religious visual culture, fine art, and art theory. Images at Work: The M

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