The Oxford Handbook of Dance and Politics
Abstract
<jats:p>At 656 pages wide and 31 authors deep,<jats:italic>The Oxford Handbook of
Dance and Politics</jats:italic>collection contains a veritable who's who of US, UK,
and EU dance scholarship. It also importantly documents the weight of the loss to
the field of coeditor Randy Martin, whose materialist investigations of dance and
politics influence the volume's contributions in powerful and explicit ways. Through
the dedicated energies of Martin's fellow coeditors Rebekah Kowal and Gerald Siegmund,
the volume updates an editorial burden assumed by earlier collections and field progenitors:
interpreting dance's irreconcilable relationship to politics, a tension that the volume's
contributors do not promise to reconcile. But what the text does, and with great urgency,
is to revise and update long-standing debates on dance's politics of representation
while also flagging hierarchical issues internal to dance research as areas for future
investigation.</jats:p>
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https://hdl.handle.net/10161/23659Published Version (Please cite this version)
10.1017/s0149767718000268Publication Info
Wilbur, Sarah (2018). The Oxford Handbook of Dance and Politics. Dance Research Journal, 50(2). pp. 78-87. 10.1017/s0149767718000268. Retrieved from https://hdl.handle.net/10161/23659.This is constructed from limited available data and may be imprecise. To cite this
article, please review & use the official citation provided by the journal.
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Sarah Wilbur
Associate Professor of the Practice of Dance
Sarah Wilbur is an Associate Professor of the Practice in Dance with a secondary appointment
in Theater Studies at Duke University. She researches US arts labor, economics, and
infrastructures, more specifically the intertwined economic and kinesthetic dimensions
of local artists' work. Wilbur is the author of Funding Bodies: Five Decades of Dance
Making at the National Endowment for the Arts (2021), the first book-length look at
the shaping influence of US federal arts fundi

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