The Bermuda Triangle of Madrid’s Museums: The Prado, the Museum of the Americas and the National Museum of Anthropology
Abstract
The Bermuda triangle of the title refers to the magical space between three Madrid
museums— El Prado, the Museum of the Americas, and the National Museum of Anthropology—in
which the coloniality of Spanish society disappears, in the contemporary moment as
much as in the historical narrative. This article asks: where is Latin America— specifically,
Latin American art—in Spain? It sets out the discursive maneuvers that have obscured
that coloniality in art and in the daily activities that allow Spaniards to enjoy
Andean potatoes in their tortillas and Mayan chocolate with their churros, without
savoring the American bitterness that is their basic ingredient.
Type
Journal articlePermalink
https://hdl.handle.net/10161/25457Published Version (Please cite this version)
10.1080/17561310.2020.1831747Publication Info
Gabara, E; & Adey, I (2020). The Bermuda Triangle of Madrid’s Museums: The Prado, the Museum of the Americas and
the National Museum of Anthropology. Art in Translation, 12(2). pp. 128-149. 10.1080/17561310.2020.1831747. Retrieved from https://hdl.handle.net/10161/25457.This is constructed from limited available data and may be imprecise. To cite this
article, please review & use the official citation provided by the journal.
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Show full item recordScholars@Duke
Esther Gabara
Professor of Romance Studies
Esther Gabara works with modern and contemporary art, literature, and critical theory
from the Americas. Her teaching in the departments of Romance Studies and Art, Art
History & Visual Studies at Duke University covers visual studies, modernism, photography,
Pop Art and popular culture, feminism, public art, and coloniality in contemporary
art. She was the faculty guest curator of the exhibition, <a href="https://nasher.duke.edu/exhibitions/pop-america-1965-1975/"
title="Pop Am&ea

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