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Building a Natya Shastra: Individual Voices in an Evolving Public Memory

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"Building a Natya Shastra" Video
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Date
2011
Author
Salinas, Anandi
Advisor
Prasad, Leela
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Abstract

In this project, I reassess fundamental assumptions about tradition, classicality, and authenticity by exploring how artists of various Indian dance forms construct and engage these terms in the retelling of the history of their dance styles. To explore the nuances in the negotiation of terminology in the creation of oral histories, as well as to showcase the dancing itself, I have chosen to look at both dance and narrative in multiple formats of video and text. This paper serves both to survey the ethnographic process of making the film as well as to further explore the theoretical possibilities that were evoked in the many narrations in the film. I will eventually suggest that the formulations of classicality and authenticity in relation to text and temple point to the importance of concept of public memory in the creation of a dynamically constituted tradition rooted in foundational texts such as the Nāṭya Śāstra and living traditions connected to dance lineages and teachers.

Type
Master's thesis
Department
Religion
Subject
Religion
Dance
Performing Arts
andhra natyam
bharata natyam
classical Indian dance
Indian dance
odissi
Religion
Permalink
https://hdl.handle.net/10161/3781
Citation
Salinas, Anandi (2011). Building a Natya Shastra: Individual Voices in an Evolving Public Memory. Master's thesis, Duke University. Retrieved from https://hdl.handle.net/10161/3781.
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This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License.

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