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Melancholy Sites: The Affective Politics of Marginality in Post-Anpo Japan (1960-1970)

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Date
2011
Author
Adriasola, Ignacio
Advisor
Weisenfeld, Gennifer
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Abstract

This dissertation examines the intersection of experimental art, literature, performance, photography, and architecture, as Japanese artists and intellectuals grappled with political disillusionment after the end of the protests against the ratification of the U.S.-Japan Security Treaty of 1960. I focus on the work of the sculptors Miki Tomio and Kudo Tetsumi; photographs of late 1960s protests by Tomatsu Shomei and the self-portraits of the novelist Mishima Yukio; the collaboration between photographer Hosoe Eikoh and butoh dance founder Hijikata Tatsumi in the photo album <italic>Kamaitachi</italic> (The Sickle-Weasel, 1969); and depictions of the urban periphery in Hosoe's unfinished <italic>Private Landscape</italic> series (1970-) and the visionary urban planning of the architect Tange Kenzo. All shared an interest in portraying peripheral spaces, the detritus of the everyday, and the sexually perverse, cultivating a rhetoric of marginality that allowed them to explore their ambivalent feelings towards post-Anpo Japan.

Type
Dissertation
Department
Art, Art History, and Visual Studies
Subject
Art History
Asian Studies
Women's Studies
Anpo protests
experimental art
Japan
masculinity
performance
photography
Permalink
https://hdl.handle.net/10161/3892
Citation
Adriasola, Ignacio (2011). Melancholy Sites: The Affective Politics of Marginality in Post-Anpo Japan (1960-1970). Dissertation, Duke University. Retrieved from https://hdl.handle.net/10161/3892.
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