A Common Stage: Theater and Public Life in Medieval Arras

I’m a critic of fiction –and creative non-fiction – in French in all its forms.Liberty at its purest, as Alain Chartier, Annie Saumont, Sade test it. An engaging discipline as Beckett, Rutebeuf, Voltaire, and Zeina Abirached practice it. Imprinted by my first training in early, modern literature and history in French, I investigate fiction in historical action: its aesthetic gambles, its political impact, its cultural implications.  I can’t deb