dc.contributor.author |
Workman, John J. |
|
dc.date.accessioned |
2008-05-02T12:19:15Z |
|
dc.date.available |
2008-05-02T12:19:15Z |
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dc.date.issued |
2008-04-28 |
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dc.identifier.uri |
https://hdl.handle.net/10161/573 |
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dc.description |
Thesis Submitted in
Fulfillment of Requirements for
Graduation with Distinction in the
Department of Art, Art History & Visual Studies
|
|
dc.description.abstract |
As an example of deconstructivist architecture, Peter Eisenman’s Wexner Center revolves
around a particularly nuanced question of meaning. Specifically, the building’s significance
is not static but lies in an ever-changing discussion of what it is and how it acts.
While the theoretical background supporting this interpretation must be understood
and appreciated, I contest that a complete study of the complex should consider also
how its inhabitants affect it and are affected by it. Blueprints and articles should
be only first steps after which the living building and its effects are observed and
assessed.
This paper combines traditional analyses of the Wexner (e.g. formal, symbolic, textual)
with an “experiential analysis” derived from two visits in which I photographed the
site and interviewed its daily users. The product of these analyses is a critique
of the Wexner Center as it functions today rather than a description of how Eisenman
assumed it would operate when he designed it. Reconfiguring the Wexner as an architectural
ecosystem, I address a number of wider concerns, including how successful it is as
a public building and whether Eisenman builds what he professes in his written work.
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dc.format.extent |
16017900 bytes |
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dc.format.mimetype |
application/pdf |
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dc.language.iso |
en |
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dc.subject |
deconstructivist architecture |
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dc.subject |
Eisenman, Peter |
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dc.subject |
Wexner Center for the Arts |
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dc.subject |
Ohio State University |
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dc.title |
Walking the Wexner: Experiencing Deconstruction |
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dc.type |
Honors thesis |
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dc.department |
Art, Art History, and Visual Studies |
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