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dc.contributor.advisor Gheith, Jehanne en_US
dc.contributor.author Reiser, Serena en_US
dc.date.accessioned 2014-05-14T19:22:03Z
dc.date.available 2014-05-14T19:22:03Z
dc.date.issued 2014 en_US
dc.identifier.uri http://hdl.handle.net/10161/8811
dc.description Thesis en_US
dc.description.abstract <p>This thesis examines the role of paintings in four of Andrei Tarkovsky's films: Solaris (1972), Mirror (1975), Andrei Rublev (1966), and Sacrifice (1986). Through close analysis of these films and the paintings that appear in them, the thesis demonstrates that Tarkovsky's selection and use of paintings reflects his theories and beliefs as a filmmaker and as an individual.</p> en_US
dc.subject Film studies en_US
dc.subject Art history en_US
dc.subject Andrei Rublev en_US
dc.subject Brueghel en_US
dc.subject Mirror en_US
dc.subject Sacrifice en_US
dc.subject Solaris en_US
dc.subject Tarkovsky en_US
dc.title The Artist's Passion According to Andrei: Paintings in the Films of Andrei Tarkovsky en_US
dc.type Thesis en_US
dc.department Slavic and Eurasian Studies en_US

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