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dc.contributor.advisor Gheith, Jehanne
dc.contributor.author Reiser, Serena
dc.date.accessioned 2014-05-14T19:22:03Z
dc.date.available 2014-05-14T19:22:03Z
dc.date.issued 2014
dc.identifier.uri http://hdl.handle.net/10161/8811
dc.description Thesis
dc.description.abstract <p>This thesis examines the role of paintings in four of Andrei Tarkovsky's films: Solaris (1972), Mirror (1975), Andrei Rublev (1966), and Sacrifice (1986). Through close analysis of these films and the paintings that appear in them, the thesis demonstrates that Tarkovsky's selection and use of paintings reflects his theories and beliefs as a filmmaker and as an individual.</p>
dc.subject Film studies
dc.subject Art history
dc.subject Andrei Rublev
dc.subject Brueghel
dc.subject Mirror
dc.subject Sacrifice
dc.subject Solaris
dc.subject Tarkovsky
dc.title The Artist's Passion According to Andrei: Paintings in the Films of Andrei Tarkovsky
dc.type Master's thesis
dc.department Slavic and Eurasian Studies


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