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This thesis explores the role that the natural world played in the art and writing
of the Bloomsbury group. Very little academic work has been done on this topic beyond
the coffee-table books on the gardens of Charleston Farmhouse and Monk’s House. Most
serious work has been on the various themes of nature found in Virginia Woolf’s more
popular novels. Nature is a prolific theme in the Bloomsbury Group’s painting and
literature and they devoted much time to it. Their attitude towards nature was one
of respect, not veneration like that of the Romantic period. They viewed man as a
part of nature, not outside of nature, or controlling nature. Holding a biocentric
view of nature, they eschewed the prevailing attitude of anthropocentricism. They
were concerned with the idea of civilization and wrote extensively about what it meant
to be civilized. Another major Bloomsbury theme was the contrast of nature wild versus
nature tamed. These ideas were discussed, written about, and depicted in their artwork.
This paper investigates the aforementioned Bloomsbury topics and also includes man
(and woman’s) relationship to nature, terror in the garden, joy in the garden, and
the protection of nature.
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