Presidential Address: The Art of Convergent Comparison-Case Studies from China and India
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2020-11-01
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This address was intended to be and remains about global circulatory processes and the ways that human societies have sought to deploy, control, or regulate these processes. In this essay, I principally consider how nationalist ideologies regulate global circulatory processes. The parallel with the current COVID-19 crisis is evident, and my remarks do suggest some similarities. Although COVID-19 is not the topic I engage here, my theme alerts us to thinking methodologically about largely invisible or inconspicuous modes of circulation and their consequences, less dire but deeply transformative.
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Duara, P (2020). Presidential Address: The Art of Convergent Comparison-Case Studies from China and India. Journal of Asian Studies, 79(4). pp. 841–864. 10.1017/S0021911820002363 Retrieved from https://hdl.handle.net/10161/26149.
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Prasenjit Duara
Prasenjit Duara is the Oscar Tang Chair of East Asian Studies at Duke University. He was born and educated in India and received his PhD in Chinese history from Harvard University. He was previously Professor and Chair of the Dept of History and Chair of the Committee on Chinese Studies at the University of Chicago (1991-2008). Subsequently, he became Raffles Professor of Humanities and Director, Asia Research Institute at National University of Singapore (2008-2015).
In 1988, he published Culture, Power and the State: Rural North China, 1900-1942 (Stanford Univ Press) which won the Fairbank Prize of the AHA and the Levenson Prize of the AAS, USA. Among his other books are Rescuing History from the Nation (U Chicago 1995), Sovereignty and Authenticity: Manchukuo and the East Asian Modern (Rowman 2003) and most recently, The Crisis of Global Modernity: Asian Traditions and a Sustainable Future (Cambridge 2014). He has edited Decolonization: Now and Then (Routledge, 2004) and co-edited A Companion to Global Historical Thought with Viren Murthy and Andrew Sartori (John Wiley, 2014). His work has been widely translated into Chinese, Japanese, Korean and the European languages.
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