The Bermuda Triangle of Madrid’s Museums: The Prado, the Museum of the Americas and the National Museum of Anthropology

dc.contributor.author

Gabara, E

dc.contributor.author

Adey, I

dc.date.accessioned

2022-07-07T19:36:25Z

dc.date.available

2022-07-07T19:36:25Z

dc.date.issued

2020-01-01

dc.date.updated

2022-07-07T19:36:23Z

dc.description.abstract

The Bermuda triangle of the title refers to the magical space between three Madrid museums— El Prado, the Museum of the Americas, and the National Museum of Anthropology—in which the coloniality of Spanish society disappears, in the contemporary moment as much as in the historical narrative. This article asks: where is Latin America— specifically, Latin American art—in Spain? It sets out the discursive maneuvers that have obscured that coloniality in art and in the daily activities that allow Spaniards to enjoy Andean potatoes in their tortillas and Mayan chocolate with their churros, without savoring the American bitterness that is their basic ingredient.

dc.identifier.issn

1756-1310

dc.identifier.uri

https://hdl.handle.net/10161/25457

dc.language

en

dc.publisher

Informa UK Limited

dc.relation.ispartof

Art in Translation

dc.relation.isversionof

10.1080/17561310.2020.1831747

dc.title

The Bermuda Triangle of Madrid’s Museums: The Prado, the Museum of the Americas and the National Museum of Anthropology

dc.type

Journal article

pubs.begin-page

128

pubs.end-page

149

pubs.issue

2

pubs.organisational-group

Duke

pubs.organisational-group

Trinity College of Arts & Sciences

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Art, Art History & Visual Studies

pubs.organisational-group

Romance Studies

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Gender, Sexuality & Feminist Studies

pubs.publication-status

Published

pubs.volume

12

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