Jazz, Film Noir, and the Geography of Music: Revisiting Duke Ellington's Score for Otto Preminger's Anatomy of a Murder (1959)
| dc.date.accessioned | 2024-09-11T00:27:48Z | |
| dc.date.available | 2024-09-11T00:27:48Z | |
| dc.date.issued | 2023-09 | |
| dc.identifier.issn | 2372-5672 | |
| dc.identifier.uri | ||
| dc.language | en | |
| dc.publisher | Project MUSE | |
| dc.relation.ispartof | Middle West Review | |
| dc.relation.isversionof | 10.1353/mwr.2023.a912198 | |
| dc.rights.uri | ||
| dc.title | Jazz, Film Noir, and the Geography of Music: Revisiting Duke Ellington's Score for Otto Preminger's Anatomy of a Murder (1959) | |
| dc.type | Journal article | |
| pubs.begin-page | 203 | |
| pubs.end-page | 209 | |
| pubs.issue | 1 | |
| pubs.organisational-group | Duke | |
| pubs.organisational-group | Trinity College of Arts & Sciences | |
| pubs.organisational-group | Student | |
| pubs.organisational-group | Literature | |
| pubs.publication-status | Published | |
| pubs.volume | 10 |
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