Operational Mediation: Critically Theorizing Recommendation Systems

dc.contributor.advisor

Szabo, Victoria

dc.contributor.advisor

Hansen, Mark

dc.contributor.author

Zhou, Mingyu

dc.date.accessioned

2025-07-02T19:08:01Z

dc.date.available

2025-07-02T19:08:01Z

dc.date.issued

2025

dc.department

Art, Art History, and Visual Studies

dc.description.abstract

Recommendation systems no longer merely suggest content—they define the architecture of digital mediation itself. From the divinatory algorithms of the I Ching to the black-box neural networks of TikTok, the evolution of RecSys reveals a shift from human-guided decision-making to autonomous, self-iterating computational epistemology. This thesis argues that RecSys have transcended their original function as assistive technologies, becoming omnipresent, unknowable, and posthuman infrastructures that shape visibility, knowledge, and agency. Through historical analysis, theoretical critique, and a prototype experiment, we examine how recommendation systems mediate digital culture—not by reflecting human preferences, but by recursively generating them.

dc.identifier.uri

https://hdl.handle.net/10161/32918

dc.rights.uri

https://creativecommons.org/licenses/by-nc-nd/4.0/

dc.subject

Art history

dc.title

Operational Mediation: Critically Theorizing Recommendation Systems

dc.type

Master's thesis

duke.embargo.months

5

duke.embargo.release

2025-11-19

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