Between the open and the hidden: Clothing, segregation, and the feminine counter-archive in the photographs of Gordon Parks

dc.contributor.author

Lamm, K

dc.date.accessioned

2025-06-09T20:04:07Z

dc.date.available

2025-06-09T20:04:07Z

dc.date.issued

2015-12-04

dc.description.abstract

In this article I analyse the photographs Gordon Parks produced for the Life photo-essay The restraints: open and hidden, which depicts Jim Crow segregation in Mobile, Alabama. Drawing on Jacques Derrida's (1996) attention to the archival unconscious and Hortense Spillers (1987) concept of ungendering, I argue that Parks photographs of women's and girls clothing manifest his background in fashion photography and highlight the counter- archival pressure black femininity places on Jim Crow segregation and the photo-essay itself.

dc.identifier.issn

0256-0046

dc.identifier.issn

1992-6049

dc.identifier.uri

https://hdl.handle.net/10161/32466

dc.language

en

dc.publisher

Informa UK Limited

dc.relation.ispartof

Critical Arts

dc.relation.isversionof

10.1080/02560046.2015.1102266

dc.rights.uri

https://creativecommons.org/licenses/by-nc/4.0

dc.title

Between the open and the hidden: Clothing, segregation, and the feminine counter-archive in the photographs of Gordon Parks

dc.type

Journal article

pubs.begin-page

134

pubs.end-page

149

pubs.issue

sup1

pubs.organisational-group

Duke

pubs.organisational-group

Trinity College of Arts & Sciences

pubs.organisational-group

Art, Art History & Visual Studies

pubs.organisational-group

Gender, Sexuality & Feminist Studies

pubs.publication-status

Published

pubs.volume

29

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