Recursive Radiance: Multimedia Interpretations of Traditional Chinese Aesthetics

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Abstract

This paper presents Recursive Radiance, a multidisciplinary artwork integrating traditional Chinese practices with con­temporary technologies through parallel sonic and visual implementations. The project pairs a four-channel acous­matic composition with an installation of graphic scores inspired by the Jianzi notation system.

The sonic component transforms improvisations based on the traditional guqin piece "Cai Zhen You" (Wandering in True Essence) through fab synthesis, spatial diffusion, and electronic processing. The composition uses chaotic at­tractors for spatial movement, creating an immersive sound­scape that embodies Daoist principles of fluidity and trans­formation. The visual component features a series of dig­ital scrolls, functioning as both notation and a parallel artistic dimension. These graphic scores emerge from a hybrid methodology combining traditional ink boxes with tensioned strings, cyanotype printing, 3D environmental scans, and AI-assisted imagery created through LoRA mod­els trained on interpretative readings of the Guqin's nota­tion system. Recursive Radiance functions as both a hybrid physical-digital installation and a framework for cultural preservation.

This paper documents the completed musical composi­tion, graphic scores, and conceptual approach to public engagement through immersive multimedia. Our research demonstrates how computational tools and engineering tech­niques can support artistic expression while preserving cul­tural heritage, offering new pathways for audience interac­tion with traditional art forms through contemporary mul­timedia experiences.

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Scholars@Duke

Vasquez

Juan Carlos Vasquez

Assistant Professor of Computation and Design at Duke Kunshan University

Prof. Juan Carlos Vasquez (www.jcvasquez.com) is an award-winning composer, video game researcher, and educator. His creations, ranging from spatial audio works to immersive interactive experiences and game art, have resonated across continents, being featured in over 30 countries spanning the Americas, Europe, Asia, and Australia.

 

Vasquez's most prominent awards include the Colombian Ministry of Culture's Contemporary Music Composition Grant and the Audio Engineering Society's Award for Excellence in Art, Design, and the Production of Sound (both 2016); the highly selective Dean’s Grant for exceptional Master’s achievements from Aalto University (2016); a Finnish government grant for artistic creation and a ACM/SIGCHI “Best of CHI” award (both 2017); a fully funded five-year doctoral award at the University of Virginia (2018); recognition as Primus Master at Aalto University and a commission at the ZKM (both 2019); along with the prestigious Jefferson Fellowship from the University of Virginia (2021). Later, he received a Highly Commended distinction at the Sound of the Year Awards (2022); the Best Computer Music award from the International Computer Music Association (2023); led and curated an exhibition at the renowned Ars Electronica Festival (2024); won Second Prize at Musicacoustica-Hangzhou and the WOCMAT Phil Winsor Award (both 2024); and took First Prize in Composition at the 35th International Competition Città di Barletta in Italy (2025).

 

Events and venues featuring Prof. Vasquez’s works include Ars Electronica (AU), the Ateneum Art Museum (FI), the Seoul Arts Center (KR) the Lincoln Center (USA), the Hanshan Art Museum (CN), Berklee College of Music (USA), and Matera Intermedia Festival (IT). He earned his M.A. in New Media from Aalto University in Finland and subsequently completed both an M.A. and a Ph.D. in Composition and Computer Technologies from the University of Virginia in the United States. Prof. Vasquez is sponsored by Genelec, the world leader in studio monitors, and is a member of the Society of Finnish Composers.


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