Residing in Yesterday’s Tomorrow: Domestic Spaces in Domestic Spaces in 21st Century Chinese-Language Documentary Films

Abstract

This project explores the concept of domestic space as depicted in the films Small Talk (2016) and The Moon Palace (2007), alongside philosophical and cultural insights. Through an interdisciplinary lens that incorporates cinema studies, philosophy, and cultural analysis, we examine how these filmmakers navigate the complexities of familial relationships, societal norms, and individual identities within the context of domesticity.Small Talk by Huang Hui-chen provides a deeply personal exploration of domesticity, shedding light on taboo topics such as sexual identity and domestic violence. Meanwhile, Qiu Jiongjiong's The Moon Palace offers a fragmented yet profound portrayal of domestic space, challenging conventional boundaries and inviting viewers to contemplate the interplay between physical architecture and emotional resonance. Drawing from philosophical, this project expands understanding of domestic space as a liminal entity shaped by both tangible structures and intangible narratives. Through the lens of these filmmakers, the analysis interrogates the narratives embedded within the walls of our homes, gaining insight into the complexities of the human condition and the enduring power of familial bonds.Ultimately, this thesis project argues that the study of domestic space transcends mere architectural analysis to encompass a deeper interrogation of human existence itself. By engaging with cinematic representations of home, we gain a deeper appreciation for the multiplicity of meanings that reside within the spaces we call home, offering valuable insights into the complexities of modern life and the human experience.