Islands Are Not Isolated: Reconsidering the Roots of Gullah Distinctiveness
| dc.contributor.author | Matory, JL | |
| dc.contributor.editor | Carney, JA | |
| dc.contributor.editor | Rosengarten, D | |
| dc.contributor.editor | Rosengarten, T | |
| dc.contributor.editor | Schildkrout, E | |
| dc.date.accessioned | 2013-05-17T00:52:06Z | |
| dc.date.issued | 2008-09-30 | |
| dc.description.abstract | In this investigation of America's most enduring African-inspired art form, the Lowcountry basket becomes a prism through which to explore 300 years of American and African history. | |
| dc.identifier.isbn | 094580251X | |
| dc.identifier.isbn | 9780945802518 | |
| dc.identifier.uri | ||
| dc.publisher | University of Washington Press | |
| dc.relation.ispartof | Grass roots: African origins of an American art | |
| dc.title | Islands Are Not Isolated: Reconsidering the Roots of Gullah Distinctiveness | |
| dc.type | Book section | |
| pubs.begin-page | 232 | |
| pubs.end-page | 244 | |
| pubs.organisational-group | African and African American Studies | |
| pubs.organisational-group | Cultural Anthropology | |
| pubs.organisational-group | Duke | |
| pubs.organisational-group | Trinity College of Arts & Sciences | |
| pubs.place-of-publication | New York: Museum for African Art; Seattle, WA |
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