“So, then people do come here in order to live”: Interiority in the Novels of Rainer Maria Rilke and Scipio Slataper

Loading...
Thumbnail Image

Date

2009

Journal Title

Journal ISSN

Volume Title

Repository Usage Stats

70
views
232
downloads

Citation Stats

Abstract

Department

Description

Provenance

Subjects

Citation

Published Version (Please cite this version)

10.1353/com.0.0040

Publication Info

Ziolkowski, Saskia Elizabeth (2009). “So, then people do come here in order to live”: Interiority in the Novels of Rainer Maria Rilke and Scipio Slataper. The Comparatist, 33(1). pp. 109–131. 10.1353/com.0.0040 Retrieved from https://hdl.handle.net/10161/19209.

This is constructed from limited available data and may be imprecise. To cite this article, please review & use the official citation provided by the journal.

Scholars@Duke

Ziolkowski

Saskia Ziolkowski

Associate Professor of Romance Studies

Website: https://sites.duke.edu/saskiaziolkowski/

I work on Italian literature and culture from a comparative perspective, especially in terms of the connections between Italy and German-language countries. My research topics include modernism, the novel, animal studies, world literature, Jewish studies, migration, literary history, and issues of identity. My book Kafka’s Italian Progeny (University of Toronto Press, awarded the American Association of Italian Studies 2020 Book Prize in Literary Studies) explores Franz Kafka’s sometimes surprising connections with key writers — from Massimo Bontempelli, Lalla Romano, and Italo Calvino to Antonio Tabucchi, Paola Capriolo, and Elena Ferrante — who have shaped Italy’s literary landscape.

I am currently working on a monograph on Jewishness in modern Italian literature and have published related articles “Jewish Images and Transnational Histories in Italian Writing, from Elsa Morante to Helena Janeczek” in Annali d'italianistica (2024), Italian Ghetto Stories: A Transnational Literary History" in Forum Italicum (2023), and “For a Jewish Italian Literary History: From Italo Svevo to Igiaba Scego” in Italian Culture (2022), and a chapter "Neither Rich, Nor Poor, Neither Jewish, Neither Catholic: The Legacies of Natalia Ginzburg’s Negations" in Natalia Ginzburg's Global Legacies (2024). In addition to "For a Jewish Italian Literary History: From Italo Svevo to Igiaba Scego," I have two other recent pieces that focus on Svevo: "Italo Svevo and Women's Writing" in I mondi di Zeno and "Who's Afraid of Italo Svevo? Routes of European Modernism between Trieste and Virginia Woolf’s London" (MLQ). 


Unless otherwise indicated, scholarly articles published by Duke faculty members are made available here with a CC-BY-NC (Creative Commons Attribution Non-Commercial) license, as enabled by the Duke Open Access Policy. If you wish to use the materials in ways not already permitted under CC-BY-NC, please consult the copyright owner. Other materials are made available here through the author’s grant of a non-exclusive license to make their work openly accessible.