Looking at the ventriloquist: visual outcome of eye movements calibrates sound localization.

dc.contributor.author

Pages, Daniel S

dc.contributor.author

Groh, Jennifer M

dc.date.accessioned

2019-01-07T19:14:38Z

dc.date.available

2019-01-07T19:14:38Z

dc.date.issued

2013-01

dc.date.updated

2019-01-07T19:14:38Z

dc.description.abstract

A general problem in learning is how the brain determines what lesson to learn (and what lessons not to learn). For example, sound localization is a behavior that is partially learned with the aid of vision. This process requires correctly matching a visual location to that of a sound. This is an intrinsically circular problem when sound location is itself uncertain and the visual scene is rife with possible visual matches. Here, we develop a simple paradigm using visual guidance of sound localization to gain insight into how the brain confronts this type of circularity. We tested two competing hypotheses. 1: The brain guides sound location learning based on the synchrony or simultaneity of auditory-visual stimuli, potentially involving a Hebbian associative mechanism. 2: The brain uses a 'guess and check' heuristic in which visual feedback that is obtained after an eye movement to a sound alters future performance, perhaps by recruiting the brain's reward-related circuitry. We assessed the effects of exposure to visual stimuli spatially mismatched from sounds on performance of an interleaved auditory-only saccade task. We found that when humans and monkeys were provided the visual stimulus asynchronously with the sound but as feedback to an auditory-guided saccade, they shifted their subsequent auditory-only performance toward the direction of the visual cue by 1.3-1.7 degrees, or 22-28% of the original 6 degree visual-auditory mismatch. In contrast when the visual stimulus was presented synchronously with the sound but extinguished too quickly to provide this feedback, there was little change in subsequent auditory-only performance. Our results suggest that the outcome of our own actions is vital to localizing sounds correctly. Contrary to previous expectations, visual calibration of auditory space does not appear to require visual-auditory associations based on synchrony/simultaneity.

dc.identifier

PONE-D-13-10446

dc.identifier.issn

1932-6203

dc.identifier.issn

1932-6203

dc.identifier.uri

https://hdl.handle.net/10161/17890

dc.language

eng

dc.publisher

Public Library of Science (PLoS)

dc.relation.ispartof

PloS one

dc.relation.isversionof

10.1371/journal.pone.0072562

dc.subject

Animals

dc.subject

Macaca mulatta

dc.subject

Humans

dc.subject

Eye Movements

dc.subject

Acoustic Stimulation

dc.subject

Sound Localization

dc.subject

Space Perception

dc.subject

Visual Perception

dc.subject

Psychomotor Performance

dc.subject

Reaction Time

dc.subject

Saccades

dc.subject

Adolescent

dc.subject

Adult

dc.subject

Middle Aged

dc.subject

Female

dc.subject

Male

dc.subject

Young Adult

dc.title

Looking at the ventriloquist: visual outcome of eye movements calibrates sound localization.

dc.type

Journal article

duke.contributor.orcid

Groh, Jennifer M|0000-0002-6435-3935

pubs.begin-page

e72562

pubs.issue

8

pubs.organisational-group

Trinity College of Arts & Sciences

pubs.organisational-group

Duke

pubs.organisational-group

Psychology and Neuroscience

pubs.organisational-group

Neurobiology

pubs.organisational-group

Basic Science Departments

pubs.organisational-group

School of Medicine

pubs.organisational-group

Duke Institute for Brain Sciences

pubs.organisational-group

University Institutes and Centers

pubs.organisational-group

Institutes and Provost's Academic Units

pubs.organisational-group

Center for Cognitive Neuroscience

pubs.publication-status

Published

pubs.volume

8

Files

Original bundle

Now showing 1 - 1 of 1
Loading...
Thumbnail Image
Name:
PagesGrohPLOSOne_2013.pdf
Size:
547.95 KB
Format:
Adobe Portable Document Format
Description:
Published version