Democratic Citizenship as Uruguayan Cultural Heritage
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2019-06-01
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<jats:p>Amidst a global turn towards authoritarianism and populism, there are few contemporary examples of state-led democratization. This article discusses how Uruguay’s Frente Amplio (FA) party has drawn on a unique national democratic cultural heritage to encourage a coupling of participatory and representative institutions in “a politics of closeness.” The FA has reinvigorated Batllismo, a discourse associated with social justice, civic republicanism, and the rise of Uruguayan social democracy in the early twentieth century. At the same time, the FA’s emphasis on egalitarian participation is inspired by the thought of Uruguay’s independence hero José Artigas. I argue that the cross-weave of party and movement, and of democratic citizenship and national heritage, encourages the emergence of new figures of the citizen and new permutations for connecting citizens with representative institutions. The FA’s “politics of closeness” is an example of how state-driven democratization remains possible in an age described by some as “post-democratic.” </jats:p>
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Rodd, Robin (2019). Democratic Citizenship as Uruguayan Cultural Heritage. Democratic Theory, 6(1). pp. 27–48. 10.3167/dt.2019.060103 Retrieved from https://hdl.handle.net/10161/22352.
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Robin Hudson Rodd
I began my career as an anthropologist studying with Piaroa communities in southern Venezuela, where I was interested in the use of psychoactive plants, local theories and practices of knowledge, mind, power, and health. I focused on the ways that consciousness practices associated with the consumption of yopo snuff and Banisteriopsis caapi were socially transmitted and integrated into everyday community life. I have since examined the ritual practices and theories of selfhood associated with ayahuasca use in Australia. My current work focuses on the relationships between democracy and authoritarianism and citizenship and memory in Argentina and Uruguay. Broadly, I am interested in how democratic or authoritarian subjectivities are produced, sustained, and come undone. This work emerges out of conversations among anthropology, Latin American studies and critical theory.
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