Ballet Pedagogy and a “Hard Re-Set”: Perspectives on Equitable and Inclusive Teaching Practices

dc.contributor.author

Mattingly, K

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Beckford, K

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Bibler, Z

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Cunningham, P

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Harrison, IA

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Jackson, JM

dc.date.accessioned

2023-06-12T23:28:06Z

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2023-06-12T23:28:06Z

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2023-01-01

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2023-06-12T23:28:05Z

dc.description.abstract

In her scholarship on pedagogy, Gloria Ladson-Billings describes COVID-19 as a call to re-set education using a more culturally relevant pedagogy. As ballet teachers and researchers working in higher education and pre-professional settings, we teach a form of dance often associated with the characteristics of white supremacy. Through this collaborative institutional ethnography, we generated methods for posing questions, critiquing choices, and imagining alternatives to create more equitable educational settings. We connect the process of addressing and challenging systemic exclusions in ballet with tangible steps toward creating more inclusive classes and performances that value the joy and pleasure in moving.

dc.identifier.issn

0147-2526

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1532-4257

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https://hdl.handle.net/10161/27923

dc.language

en

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Informa UK Limited

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Dance Chronicle

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10.1080/01472526.2022.2156747

dc.subject

Ballet

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pedagogy

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leadership

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white supremacy

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posture

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Ballet Pedagogy and a “Hard Re-Set”: Perspectives on Equitable and Inclusive Teaching Practices

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Journal article

pubs.begin-page

40

pubs.end-page

65

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1

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Duke

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Trinity College of Arts & Sciences

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Dance Program

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Published

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46

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