Engraved: A Family Forensics
| dc.contributor.author | Rosenblatt, Adam | |
| dc.date.accessioned | 2023-02-20T18:37:13Z | |
| dc.date.available | 2023-02-20T18:37:13Z | |
| dc.date.issued | 2023-02-09 | |
| dc.date.updated | 2023-02-20T18:37:12Z | |
| dc.description.abstract | An essay I wrote and drew for the Society for Cultural Anthropology's Visual and New Media Review, as part of a series of responses to Writing with Light Magazine's Issue No. 1: Photography & Forensics. It's about my Grandfather, David Bialer (who was forced to work as an engraver for the Nazis), his wife Bella and daughter Mira who were killed in the Holocaust, and a photograph I’ve never seen but will always remember: “a broken forensics, inadmissible in any court, engraved into my imagination.” | |
| dc.identifier.uri | ||
| dc.subject | forensics | |
| dc.subject | photography | |
| dc.subject | Holocaust | |
| dc.subject | engraving | |
| dc.subject | graphic ethnography | |
| dc.subject | autoethnography | |
| dc.title | Engraved: A Family Forensics | |
| dc.type | Digital publication | |
| duke.contributor.orcid | Rosenblatt, Adam|0000-0002-2947-183X | |
| pubs.organisational-group | Duke | |
| pubs.organisational-group | Trinity College of Arts & Sciences | |
| pubs.organisational-group | Cultural Anthropology | |
| pubs.organisational-group | International Comparative Studies | |
| pubs.publication-status | Published online |
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