Browsing by Subject "Exile"

This dissertation examines those scenes in Acts where members of the church are banished, exiled, or displaced from the city, such as Acts 8:1, 13:50, and 16:35-39. It argues that Luke-Acts presents the church as a community of political exiles who have been exiled or banished from the cities of the Roman Empire. This narrative displacement prompts a response or solution, which in Luke-Acts is found in the community itself. Unlike other early Christian texts, which spoke of the church in exile from heaven or awaiting a city to come, Luke-Acts portrays the church itself as this “new city” that becomes a refuge for the displaced believers. Furthermore, exile or homelessness in Luke-Acts is not a problem requiring an otherworldly solution, but a part of the new way of life engendered by the proclamation of the gospel—it is a core part of following the way of Jesus, who himself is exiled from Nazareth in the gospel of Luke.The primary methodology I employ is literary criticism, by which I mean a careful, contextualized reading of Luke-Acts that attends to the form and content of the entire narrative. My reading of Acts is also a contextualized reading, by which I mean a reading that seeks to understand Acts in its late first-century context. This is especially important when talking about exile, since the study of exile in the New Testament has primarily focused on Israel’s exile without an adequate understanding of the socio-historical and literary reality of exile in the first century. To remedy this, I primarily read Luke-Acts alongside the consolatory literature of Plutarch, Musonius Rufus, and Favorinus. These texts address the problem of exile from different perspectives, but they all address the common themes of the loss of one’s homeland, the loss of possessions, and the loss of free speech or παρρησία. By reading Acts alongside these texts, which provide their own alternative visions of political belonging in the face of exile, I show how Luke-Acts envisions a new form of political belonging in local communities centered around the gospel.

Iraqi academics have had a pivotal role in shaping and building Iraqi society, identity, and national structures, since the country’s independence from British colonial rule. Following the U.S. invasion of Iraq in 2003, a significant number of academics were assassinated and forced into exile and internal displacement. Since this population has always been intertwined with the state and different regimes of power, they are uniquely-situated to provide critical and multifaceted analyses on politics, the intertwined relationship between academics and power, and the complexity of exile. Through what I call a “genealogy of loss,” this ethnography traces the academic, political, and social lives of academics in contemporary Iraq to uncover the losses this population-and the Iraqi people- have incurred in contemporary Iraq. Beginning with the period from the ascendancy of the Ba‘ath Party in 1968, to the U.S.-led invasion in 2003 and up to the present, I examine the lives of Iraq’s exiled academics in three sites: the UK, Jordan, and Iraqi Kurdistan. I first examine their experience during the Ba‘ath era to explore their work, struggles, and hardships, as they made significant contributions to building their society and nation. I attempt to provide a nuanced anthropological account of life under the Ba‘ath regime and its ideals and complex realities. The second part examines these academics’ post-US occupation experiences both inside Iraq and in exile. I argue that the reconfiguration of the Iraqi state, and the shift from a secular, unified, one-party system into a divided space ruled by the occupying forces and their appointed sectarian and ethno-nationalist leaders and militia groups, has reconfigured the role of the academic and of higher education. The occupation and the subsequent Iraqi governments used death threats and assassinations, sectarianism, and “de-Ba‘athification” as forms of governance to restructure society. Many academics and professionals were either assassinated or forced into exile by sending them bullets and threat notes in envelopes. I explore how academics’ relatively stable jobs in pre-invasion Iraq are now “contracted lives” with devastating effects on their personal lives, intellectual projects, and the future of Iraq. Such lives entail living in spaces under precarious and temporary contracts and with residency cards subject to annual renewal or termination. These academics now live in constant fear and what I call a “plan B mode of existence.” While an extreme and violent case, this ethnography argues that the conditions of Iraqi academics in exile are connected to neoliberal global trends marked by the commercialization and corporatization of higher education, adversely affecting academic, social, and political freedoms of writing, thinking, and being in this world.

In this dissertation, Poetics of Revelation: Communities of the Literary Oracular in Transatlantic Modernism, I study practices of cultural mediation in “visionary” poetics from Mexico (Octavio Paz), Spain (María Zambrano), and Bolivia (Jaime Saenz). I set forth a theoretical model (“the literary oracular”) which permits the conflict of poetic revelation to articulate its unity in literary modernism through a critique of instrumental reason leveled by cultural mediators who refused to accept the disintegration of tradition, which they thought had to pass through them if it was to survive. Revelation and discipleship were effects of these authors’ earlier disenchantment with revolutionary platforms that relied on mass culture constructed as a people. Their new concern that “national energy” was so volatile it could turn assemblies into mobs, convinced them of the need for a conduit through which a new transcendence could be discovered and instituted, and to believe that they had to become its custodian if a new community was to be imagined in the wake of revolutionary fatigue. As these authors were poets, they set out to imagine a new language with which to name that transcendence, one which would remain unassailable by the vociferous chatter of the political rally and the marketplace. This poetics of revelation invites us to ask how these modernist mediating agents – working as they did in vernacularizing print cultures which threatened their elite minority status – came to imagine community as a transhistorical colloquium among like-minded interpreters after the failure of politically left-leaning notions of communitarianism.

This dissertation examines fictional representations of Argentine and Spanish authoritarianism from the position of exiled, traumatized and/or marginalized subjects. Though the primary texts and films engage questions of terror, trauma and repression from the 1930s to 80s in Spain and Argentina they stand out from works made within these contexts (that is, works lacking spatial and/or temporal distance) by focusing on how and to what extent individual and collective rebirth can arise from the ashes of terror, exile and oblivion. On the one hand, these works explore the ways in which authoritarian terror and repression maintain and are maintained psychologically, historically and ideologically in these cultures by a series of artificial separations between self and other, fantasy and reality, history and fiction, female and male, desire and responsibility, the spiritual and material, plurality and unity, the past and the future. On the other hand, these works suggest that it is by confronting the repressed authoritarian past through pluralistic, fictional, "exilic" retellings that these binaries may be transcended and that identity, history and reality itself may be radically re-membered.

In effect, the capacity to "re-member", which is revealed to be essentially synonymous with the act of "rebirth", demands a confrontation with the past that is every bit as dependent on "fantastic retellings" of both reality and fiction as it is on history or reality--to the same degree, in fact, that the realization of the self is contingent on an encounter with radical alterity. The various forms of monstrosity, exile and ambiguity that coalesce within these films and texts not only enable this to happen, but they imply that the creation of the primary work depends as much on its audience as it does on its author. Accordingly, the ethical processes these works establish, through narrative layering, ambiguity and other techniques, occur not only within the films and texts but in the outer relationships and responses they elicit from their readers or viewers.

Thus, the processes of exile and rebirth that these works establish can only be fully appreciated in dialogue with their audiences (via a "narrative ethics"), with history and with theories ranging from feminism to mysticism to psychoanalysis (drawing on Jacques Lacan, Julia Kristeva, Carl Jung and Sigmund Freud) to ethical philosophers, in particular, Emmanuel Levinas. In my endeavor to stimulate this dialogue, in which I both build on and depart from these theories, I reveal how and why "exile" fiction has become such a crucial medium for refiguring "identity"--a term which itself becomes inseparable from spirituality. Accordingly, spirituality is not detached from reality or fantasy, but rather buried in the repressed identities and memories that, when exposed through the "monstrous ambiguities" of fiction, reveal an indestructible bond between self and other, desire and responsibility, fantasy and reality, among other dichotomies.

At the same time that these works offer positive models of spirituality, rebirth, and re-membering, they incisively critique the repressive ways in which religion and specifically, Christianity, have been manipulated, in conjunction with authoritarian paradigms, to terrifying, repressive, "sacrificial" ends. More generally, all of these works, notwithstanding their "timeless" and exilic dimensions, represent pivotal moments in Spanish and Argentine history while at the same time revealing innate links or analogies between authoritarianism and religious doctrine. On the other hand, the timeless, placeless, exilic nature of these works helps shed light on the growing and global importance of exile film and literature as well as the correspondingly great and ever-growing need to re-examine the lost, buried and terrifying past that they re-member.