The art of playing patriot: The polish stardom of Helena Modjeska
Abstract
When Helena Modrzejewska, Poland's premier actress, quit the Warsaw Imperial Theaters
in 1876 for a year's leave of absence in the United States, she secretly planned an
English-language debut in San Francisco, a sophisticated yet less demanding theatre
town than New York. Her triumph under the Americanized name of Modjeska at the California
Theater in August 1877 led to almost three decades of American stardom and critical
acclaim as the greatest American Shakespearean actress of her day. Yet American and
Polish theatre historians have yet to analyze how this accomplished player managed
a bi-national career up until her death in 1909. Modjeska did not abandon Poland for
America, but discovered that the United States best served her professional and patriotic
aims, garnering her greater fame and fortune as an English-language performer and
enabling her national service in advertising Polish artistic genius abroad and underwriting
Polish theatre at home. This essay explores how Modjeska retained and enhanced her
Polish stardom by distancing herself from her homeland and perfecting both overseas
and incountry modes of playing the faithful patriot. © 2010 by The Johns Hopkins University
Press.
Type
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Beth Holmgren
Professor Emerita of Slavic and Eurasian Studies
Beth Holmgren, Professor of Polish Studies and Russian Studies, has published widely
on Polish literature, theater, popular culture, and film; Russian literature, film,
and women's studies; and Russian and Polish artists and performers in the North American
diaspora. Her scholarship and work in the field have won multiple national awards.
Recent scholarship focuses on Polish Jewish cultural history of the interwar period,
Polish film from the 1930s until the current day, and 21st-century Polish

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