An Analysis of Shaping of Female Characters in Films Directed by Mainland Chinese, Taiwanese and Chinese Diasporic Female Directors

This thesis intends to examine the shaping of female characters in films directed by Chinese female directors. Six films are selected as examples: The Crossing (Guo chun tian, Bai Xue, 2019), Angels Wear White (Jia nian hua, Vivian Qu, 2017), Love Education (Xiang ai xiang qin, Sylvia Chang, 2017), Dear Ex (Shei Xian Ai Shang Ta De, Mag Hsu and Chih-Yen Hsu, 2018), Song of the Exile (Ke tu qiu hen, Ann Hui, 1990), and The Farewell (Lulu Wang, 2019). The selected films are divided into three groups: those directed by mainland Chinese, Taiwanese and Chinese diasporic women. By comparing the female characters with their counterparts and by analyzing the character shaping and identity formation of the female protagonists in these films, this thesis will discuss the commonalities and differences among the protagonists. The project is not intended to make general and mechanical conclusions, but to show how a variety of female characters have appeared in recent Chinese films directed by female directors, and how these characters epitomize different groups of women or female identities in the current Chinese society.