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The Artist's Passion According to Andrei: Paintings in the Films of Andrei Tarkovsky

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Date
2014
Author
Reiser, Serena
Advisor
Gheith, Jehanne
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Abstract

This thesis examines the role of paintings in four of Andrei Tarkovsky's films: Solaris (1972), Mirror (1975), Andrei Rublev (1966), and Sacrifice (1986). Through close analysis of these films and the paintings that appear in them, the thesis demonstrates that Tarkovsky's selection and use of paintings reflects his theories and beliefs as a filmmaker and as an individual.

Type
Master's thesis
Department
Slavic and Eurasian Studies
Subject
Film studies
Art history
Andrei Rublev
Brueghel
Mirror
Sacrifice
Solaris
Tarkovsky
Permalink
https://hdl.handle.net/10161/8811
Citation
Reiser, Serena (2014). The Artist's Passion According to Andrei: Paintings in the Films of Andrei Tarkovsky. Master's thesis, Duke University. Retrieved from https://hdl.handle.net/10161/8811.
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This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License.

Rights for Collection: Masters Theses


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