The Artist's Passion According to Andrei: Paintings in the Films of Andrei Tarkovsky

View / Download282.22 KB

Date

2014

Authors

Advisors

Journal Title

Journal ISSN

Volume Title

Repository Usage Stats

1385
views
8205
downloads

Abstract

This thesis examines the role of paintings in four of Andrei Tarkovsky's films: Solaris (1972), Mirror (1975), Andrei Rublev (1966), and Sacrifice (1986). Through close analysis of these films and the paintings that appear in them, the thesis demonstrates that Tarkovsky's selection and use of paintings reflects his theories and beliefs as a filmmaker and as an individual.

Type

Master's thesis

Department

Slavic and Eurasian Studies

Description

Provenance

Subjects

Film studies, Art history, Andrei Rublev, Brueghel, Mirror, Sacrifice, Solaris, Tarkovsky

Citation

Permalink

https://hdl.handle.net/10161/8811

Citation

Reiser, Serena (2014). The Artist's Passion According to Andrei: Paintings in the Films of Andrei Tarkovsky. Master's thesis, Duke University. Retrieved from https://hdl.handle.net/10161/8811.

Collections

Masters Theses
Full item page

Except where otherwise noted, student scholarship that was shared on DukeSpace after 2009 is made available to the public under a Creative Commons Attribution / Non-commercial / No derivatives (CC-BY-NC-ND) license. All rights in student work shared on DukeSpace before 2009 remain with the author and/or their designee, whose permission may be required for reuse.