On Matthew Barney: Deadpan Conceptualism, Animality, and Sculpture

dc.contributor.advisor	Stiles, Kristine
dc.contributor.author	Routh, Mitali Jones
dc.date.accessioned	2016-01-04T19:27:00Z
dc.date.available	2020-12-14T09:17:11Z
dc.date.issued	2015
dc.department	Art, Art History, and Visual Studies
dc.description.abstract	This dissertation explores and theorizes the work of American artist Matthew Barney through the concept of deadpan, and situates it in relation to themes of hybridity and animality in parallel histories of sculpture, performance art, and film.
dc.identifier.uri	https://hdl.handle.net/10161/11390
dc.subject	Art history
dc.subject	Deadpan
dc.subject	Film
dc.subject	Matthew Barney
dc.subject	Performance
dc.subject	Sculpture
dc.title	On Matthew Barney: Deadpan Conceptualism, Animality, and Sculpture
dc.type	Dissertation
duke.embargo.months	60

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