Indirect Reflections

dc.contributor.advisor

Lindroth, Scott

dc.contributor.author

Gutnik, Tatiana

dc.date.accessioned

2012-01-10T15:58:56Z

dc.date.available

2013-12-30T05:30:08Z

dc.date.issued

2011

dc.department

Music

dc.description.abstract

"Indirect Reflections" is a four-channel electro-acoustic composition. I explore in it the advantages that electronic composition offers to the music for dance. Specifically, I have been focusing on the possibility of "fixed freedom" in the treatment of meter and rhythm, and on the use of sound spatialization. With respect to the latter, I have employed the gradual shift of location of individual sound sources as well as relocation between discrete points.

The reference score presented here was prepared after the piece was complete. It reflects the music events, but does not define them. The audio version is the primary source. Due to the nature of electronic composition, and to the flexible treatment of the meter and rhythm, standard notation would not be adequate. I chose notational style appropriate for each movement. Rhythmic values are sometimes unspecified, in other cases there may be approximate and not to scale.

dc.identifier.uri

https://hdl.handle.net/10161/5005

dc.subject

Music

dc.title

Indirect Reflections

dc.type

Dissertation

duke.embargo.months

24

Files

Original bundle

Now showing 1 - 1 of 1
Loading...
Thumbnail Image
Name:
Gutnik_duke_0066D_11170.pdf
Size:
4.75 MB
Format:
Adobe Portable Document Format

Collections