The Artist's Passion According to Andrei: Paintings in the Films of Andrei Tarkovsky

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Date

2014

Authors

Reiser, Serena

Advisors

Gheith, Jehanne

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Abstract

This thesis examines the role of paintings in four of Andrei Tarkovsky's films: Solaris (1972), Mirror (1975), Andrei Rublev (1966), and Sacrifice (1986). Through close analysis of these films and the paintings that appear in them, the thesis demonstrates that Tarkovsky's selection and use of paintings reflects his theories and beliefs as a filmmaker and as an individual.

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Citation

Reiser, Serena (2014). The Artist's Passion According to Andrei: Paintings in the Films of Andrei Tarkovsky. Master's thesis, Duke University. Retrieved from https://hdl.handle.net/10161/8811.

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