Music and the Modes of Production: Three Moments in American Jazz

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2018

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Abstract

What ideological dreams does music express? And how does it do so? In listening to three paradigmatic moments in American Jazz, this dissertation attempts to answer these two problems by illustrating how the modes of our production structure the range of our interpretive possibilities, and how music responds to and overcomes these dilemmas aesthetically.

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Dissertation

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Literature

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Music, Aesthetics, African American studies, Critical theory, Cultural studies, Jazz, Marx, modes of production, Music

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https://hdl.handle.net/10161/16862

Citation

Wissa, Karim (2018). Music and the Modes of Production: Three Moments in American Jazz. Dissertation, Duke University. Retrieved from https://hdl.handle.net/10161/16862.

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