Music and the Modes of Production: Three Moments in American Jazz

dc.contributor.advisor	Jameson, Fredric R
dc.contributor.author	Wissa, Karim
dc.date.accessioned	2018-05-31T21:13:48Z
dc.date.available	2018-05-31T21:13:48Z
dc.date.issued	2018
dc.department	Literature
dc.description.abstract	What ideological dreams does music express? And how does it do so? In listening to three paradigmatic moments in American Jazz, this dissertation attempts to answer these two problems by illustrating how the modes of our production structure the range of our interpretive possibilities, and how music responds to and overcomes these dilemmas aesthetically.
dc.identifier.uri	https://hdl.handle.net/10161/16862
dc.subject	Music
dc.subject	Aesthetics
dc.subject	African American studies
dc.subject	Critical theory
dc.subject	Cultural studies
dc.subject	Jazz
dc.subject	Marx
dc.subject	modes of production
dc.subject	Music
dc.title	Music and the Modes of Production: Three Moments in American Jazz
dc.type	Dissertation

Files

Now showing 1 - 1 of 1