Coloring the Sacred: Visions of Devotional Kinship in Colonial Peru and Brazil

My dissertation, “Coloring the Sacred: Visions of Devotional Kinship in Colonial Peru and Brazil,” spans disciplinary, linguistic, and imperial bounds to explore how local devotion to saints expressed through visual media informed broader debates on the enslavement and the spiritual conquest of “New” world populations in colonial Brazil and Peru. Specifically, I explore a range of social actors—African slaves, indigenous muleteers, Portuguese merchants, and Spanish clergymen—who contributed to the multi-directional process of “coloring the sacred” by producing, consuming, and circulating images of saints. Juxtaposing an iconographic analysis of sacred image-objects (paintings, prints, sculptures, crucifixes, and oratories) alongside textual sources, I historicize how lay devotion to saints and their images could simultaneously bridge and mark ethnic divides, thus contributing to rich theoretical debates on hybridity, religion, and the construction of race in the Iberian Atlantic world.