Transgressive Women in Modern Russian and East European Cultures From the Bad to the Blasphemous
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2016-10-04
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Investigating the genesis of the prosecuted "crimes" and implied sins of the female performing group Pussy Riot, the most famous Russian feminist collective to date, the essays in Transgressive Women in Modern Russian and East European ...
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Scholars@Duke
Beth Holmgren
Beth Holmgren, Professor Emerita of Slavic and Eurasian Studies, has published widely on Polish literature, theater, popular culture, and film; Russian literature, film, and women's studies; and Russian and Polish artists and performers in the North American diaspora. Over the last decade, she has produced a series of articles exploring the Polish Jewish foundations of popular culture in the interwar period and the wartime and postwar diaspora. Holmgren's scholarship and labors in the field of Slavic and East European Studies have won multiple national awards from ACLS, AATSEEL, ASEEES, ASTR, and other organizations.
In addition to her work on editorial boards, fellowship committees, and external reviews, Holmgren served as President of the Association of Slavic, East European, and Eurasian Studies in 2008 (the largest organization in the Slavic field outside the region itself), during which period she helped oversee the Association's move to a new, financially less exorbitant location and the hiring of several new staff members. Holmgren served as President of the Association for Women in Slavic Studies for the 2003-2005 term. AWSS remains a major resource for female scholar/teachers, providing information about career development, grants, and jobs. Holmgren also chaired her departments at UNC-Chapel Hill and Duke for almost half of her 38 years in the field.
From 2020 through post-retirement in June 2023, Holmgren's research has concentrated on Polish film from the 1930s to the present day. Her most recent book, co-authored with Professor Helena Goscilo (The Ohio State University), is Polish Cinema Today: A Bold New Era in Film (August 2021), which explores the reflorescence and great thematic diversification of Polish film in this century. Contextualizing and analyzing scores of Polish films on themes ranging from representations of the Catholic Church's influence and prewar/wartime/postwar Jewish-gentile relations to the experience of migrant Poles and portraits of queer identity, Polish Cinema Today provides a smart introduction to general film scholars and students as well as cinephiles. In 2022, Choice Reviews named it an Outstanding Academic Title.
Holmgren's most recently published articles include:
“From Taverns to Courtyards and Cafes: How the Shtetl Migrated into Fin-de-siècle Warsaw.” In The Jewish Inn: Between Practice and Phantasm. Ed. Halina Goldberg and Bożena Shallcross. Bloomington, IN: Indiana University Press, 2025: 80-100.
“Hanna Polak’s Documentaries of Russia’s Lost Souls.” The Polish Review, vol. 70, nr. 1, 2025: 90-111.
“Eugeniusz Bodo (1899-1943): The Star Who Stole the Show.” In Starlight and Stargazers: Slavic Screen Celebrities, ed. Helena Goscilo (Academic Studies Press, 2024): 33-56.
“Early Polish-Language Musicals: The Tug of War between Genre Film and Cabaret.” In Singing a Different Tune: The Slavic Film Musical in Transnational Context, ed. Helena Goscilo (Academic Studies Press, 2023): 39-81.
Forthcoming articles include:
"The American Identities of Krystyna Bierzynska Stamper: Veteran, Emigre, Feminist, Holocaust Survivor," forthcoming in Polish American Studies, April 2026.
"Revue Star and Transatlantic Artist? When Loda Halama Danced in Chicago in 1937," forthcoming in Polish Artists in Chicago, ed. Bożena Shallcross & John Merchant. Boston: Academic Studies Press.
Holmgren's next project focuses on the experience, education, and evolving identities of the female soldiers who served in the Anders Army during from 1942-1946. Formally known as the Pomocnicza Wojskowa Sluzba Kobiet, they were referred to informally as the "pestki." This extraordinary group of women, ranging in age from 18 to 45, deported from Poland as "enemy aliens" to the USSR in 1940, served in the Army from Siberia through the Middle East into Southern Europe during the Italian campaign. The project examines their interrupted lives, response to Stalinist prisons and camps, and the discovery of their resilience, abilities, and broad world view as official soldiers.
Unless otherwise indicated, scholarly articles published by Duke faculty members are made available here with a CC-BY-NC (Creative Commons Attribution Non-Commercial) license, as enabled by the Duke Open Access Policy. If you wish to use the materials in ways not already permitted under CC-BY-NC, please consult the copyright owner. Other materials are made available here through the author’s grant of a non-exclusive license to make their work openly accessible.