Infectious Liberty Biopolitics Between Romanticism and Liberalism

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Infectious Liberty is available from the publisher on an open-access basis. "Infectious Liberty generatively reconceives Romantic literature as a set of counter-hegemonic techniques of biopolitical experimentation.








Robert Edward Mitchell

Professor of English

My research focuses on the long history of relationships among the sciences and the arts, with especial focus on the eighteenth century/Romantic era, and our present moment. I have published four single-author monographs: Sympathy and the State in the Romantic Era: Systems, State Finance, and the Shadows of Futurity (Routledge, 2007), Bioart and the Vitality of Media (U of Washington P, 2010), Experimental Life: Vitalism in Romantic Science and Literature (Johns Hopkins UP, 2013), and Infectious Liberty: Biopolitics between Romanticism and Liberalism (Fordham UP, 2021). I am also co-author (along with sociologist Catherine Waldby) of the monograph Tissue Economies: Blood, Organs and Cell Lines in Late Capitalism (Duke UP, 2006), and co-author (along with media theorist Orit Halpern) of The Smartness Mandate (MIT Press, 2023). I am co-editor of several collections of essays, including Data Made Flesh: Embodying Information (Routledge, 2003), Romanticism and Modernity (Routledge, 2011), and Releasing the Image: From Literature to New Media (Stanford UP, 2011). I have published articles in humanities, social science, and natural science journals, including Science, The American Journal of Bioethics, Biosocieties, The Eighteenth Century: Theory and Interpretation, European Romantic Review, Grey Room, South Atlantic Quarterly, Studies in Romanticism, and PMLA. My current research concentrates on relationships among biopolitics, the logic of populations, and the arts, and also on critical histories of the sciences, especially those of Hannah Arendt and Roberto Esposito.

My research approach is especially suited to graduate students interested in approaching the Romantic era as an inflection point within longer histories, particularly (though not exclusively) those that help us to understand the relationships of literature, the arts, and the sciences.

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