Hard Work, Hard Times: Global Volatility and African Subjectivities

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Date

2010

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Abstract

The description of Africa as a continent in perpetual crisis, ubiquitous in the popular media and in policy and development circles, is at once obvious and obfuscating. This collection by leading ethnographers moves beyond the rhetoric of African crisis to theorize people’s everyday practices under volatile conditions not of their own making. From Ghanaian hiplife music to the U.S. "diversity lottery" in Togo, from politicos in Côte d’Ivoire to squatters in South Africa, the essays in Hard Work, Hard Times uncover the imaginative ways in which African subjects make and remake themselves and their worlds, and thus make do, get by, get over, and sometimes thrive.

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Subjects

abjection, Africa, creativity, crisis, involution, practices of the everyday, the state, the West

Citation

Scholars@Duke

Makhulu

Anne-Maria B. Makhulu

Associate Professor in the Department of Cultural Anthropology

Anne-Maria Makhulu is an Associate Professor of Cultural Anthropology and African and African American Studies and Core Faculty in Innovation and Entrepreneurship at Duke University. Her research interests cover: Africa and more specifically South Africa, cities, space, globalization, political economy, neoliberalism, the anthropology of finance and corporations, as well as questions of aesthetics, including the literature of South Africa. Makhulu is co-editor of Hard Work, Hard Times: Global Volatility and African Subjectivities (2010) and the author of Making Freedom: Apartheid, Squatter Politics, and the Struggle for Home (2015). She is a contributor to Producing African Futures: Ritual and Reproduction in a Neoliberal Age (2004), New Ethnographies of Neoliberalism (2010), author of articles in Anthropological Quarterly and PMLA, special issue guest editor for South Atlantic Quarterly (115(1)) and special theme section guest editor for Comparative Studies of South Asia, Africa, and the Middle East (36(2)). A new project, South Africa After the Rainbow (in preparation), examines the relationship between race and mobility in postapartheid South Africa and has been supported with an award from the National Endowment for the Humanities (NEH).


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