Post-fordist desires: The commodity aesthetics of bangkok sex shows

dc.contributor.author

Wilson, A

dc.date.accessioned

2013-04-23T18:53:51Z

dc.date.issued

2010-04-01

dc.description.abstract

This essay investigates the political economy of sexuality through an interpretation of sex shows for foreigners in Bangkok, Thailand. Reading these performances as both symptoms of, and analytical commentaries on, Western consumer desire, the essay suggests the 'pussy shows' parody the mass production that was a hallmark of Western masculine identity under Fordism. This reading makes a case for the erotic generativity of capitalism, illuminating how Western, post-Fordist political economy of the post-1970s generated demand for these erotic services in Asia and how Western, heterosexual masculine desire is integrated into global capitalist circuits. © 2010 Springer Science+Business Media B.V.

dc.identifier.issn

0966-3622

dc.identifier.uri

https://hdl.handle.net/10161/6761

dc.publisher

Springer Science and Business Media LLC

dc.relation.ispartof

Feminist Legal Studies

dc.relation.isversionof

10.1007/s10691-010-9145-2

dc.title

Post-fordist desires: The commodity aesthetics of bangkok sex shows

dc.type

Journal article

pubs.begin-page

53

pubs.end-page

67

pubs.issue

1

pubs.organisational-group

Cultural Anthropology

pubs.organisational-group

Duke

pubs.organisational-group

Duke Science & Society

pubs.organisational-group

Initiatives

pubs.organisational-group

Institutes and Provost's Academic Units

pubs.organisational-group

Trinity College of Arts & Sciences

pubs.publication-status

Published

pubs.volume

18

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