Democratic Citizenship as Uruguayan Cultural Heritage

dc.contributor.author

Rodd, Robin

dc.date.accessioned

2021-02-15T05:06:39Z

dc.date.available

2021-02-15T05:06:39Z

dc.date.issued

2019-06-01

dc.date.updated

2021-02-15T05:06:32Z

dc.description.abstract

<jats:p>Amidst a global turn towards authoritarianism and populism, there are few contemporary examples of state-led democratization. This article discusses how Uruguay’s Frente Amplio (FA) party has drawn on a unique national democratic cultural heritage to encourage a coupling of participatory and representative institutions in “a politics of closeness.” The FA has reinvigorated Batllismo, a discourse associated with social justice, civic republicanism, and the rise of Uruguayan social democracy in the early twentieth century. At the same time, the FA’s emphasis on egalitarian participation is inspired by the thought of Uruguay’s independence hero José Artigas. I argue that the cross-weave of party and movement, and of democratic citizenship and national heritage, encourages the emergence of new figures of the citizen and new permutations for connecting citizens with representative institutions. The FA’s “politics of closeness” is an example of how state-driven democratization remains possible in an age described by some as “post-democratic.” </jats:p>

dc.identifier.issn

2332-8894

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2332-8908

dc.identifier.uri

https://hdl.handle.net/10161/22352

dc.publisher

Berghahn Books

dc.relation.ispartof

Democratic Theory

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10.3167/dt.2019.060103

dc.title

Democratic Citizenship as Uruguayan Cultural Heritage

dc.type

Journal article

duke.contributor.orcid

Rodd, Robin|0000-0002-7552-7160

pubs.begin-page

27

pubs.end-page

48

pubs.issue

1

pubs.organisational-group

Duke Kunshan University

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Duke Kunshan University Faculty

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Duke

pubs.publication-status

Published

pubs.volume

6

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